This article analyses El sillón K (2025) by Paula Paz, a contemporary Spanish play inspired by Carmen Conde’s epistolary dialogue with Katherine Mansfield. Addressed to Mansfield after the writer’s death, Conde’s letters constitute a one-sided correspondence that stages a literary dialogue across absence and time. Drawing on a collage of sources, languages and media, the play reconfigures this epistolary material into a multilingual theatrical space. The study investigates how the staging reactivates Conde’s modernist poetics and her reflections on immortality, absence and dialogue with the dead, transforming the epistolary exchange into a polyphonic dramaturgy that transcends linguistic and temporal boundaries.

'Tutta la vita è un monologo che agli altri risuona come un’eco’. Carmen Conde e Katherine Mansfield in El sillón K, di Paula Paz (2025)

angela moro
2026-01-01

Abstract

This article analyses El sillón K (2025) by Paula Paz, a contemporary Spanish play inspired by Carmen Conde’s epistolary dialogue with Katherine Mansfield. Addressed to Mansfield after the writer’s death, Conde’s letters constitute a one-sided correspondence that stages a literary dialogue across absence and time. Drawing on a collage of sources, languages and media, the play reconfigures this epistolary material into a multilingual theatrical space. The study investigates how the staging reactivates Conde’s modernist poetics and her reflections on immortality, absence and dialogue with the dead, transforming the epistolary exchange into a polyphonic dramaturgy that transcends linguistic and temporal boundaries.
2026
979-12-5742-108-3
Carmen Conde. Katherine Mansfield. El sillón K. Paula Paz. Contemporary Spanish theatre
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Utilizza questo identificativo per citare o creare un link a questo documento: https://hdl.handle.net/20.500.12078/39906
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