Unlike the museal exhibition, pushingly drawing towards renovation, the architecture of museums shows a certain resistance against any revamping. It is necessary to work out the antithesis between maintaining the character of a historical building and its using in order to meet the communcative and contextualizing requests of the collection. Nowadays, the exhibition project, supported by the most technologically up-to-date “know how”, has achieved a total compositional and expressive freedom, moving between the separation from the ‘container’ structure and the respect of its interpretation, never missing the main purpose of the project, which is the Presentation of the collections.

Il riuso della preesistenza ed il progetto d’allestimento

ACCARDI A
2011-01-01

Abstract

Unlike the museal exhibition, pushingly drawing towards renovation, the architecture of museums shows a certain resistance against any revamping. It is necessary to work out the antithesis between maintaining the character of a historical building and its using in order to meet the communcative and contextualizing requests of the collection. Nowadays, the exhibition project, supported by the most technologically up-to-date “know how”, has achieved a total compositional and expressive freedom, moving between the separation from the ‘container’ structure and the respect of its interpretation, never missing the main purpose of the project, which is the Presentation of the collections.
2011
978-88-89683-40-8
Architettura d'interni; Museografia; riuso dell'architettura storica
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Utilizza questo identificativo per citare o creare un link a questo documento: https://hdl.handle.net/20.500.12078/3086
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