One of the most interesting problems of the "representations" of the prehistory in museums is constituted by the difficulty to make the images of the physical people. In some cases, the presence of contemporary artists has been useful to resolve the problem, in others the solution is submitted to the so-called “paleo-artists”, in others still it is the whole presentation that assumes, in its complex, evocative characters. This article examines some interesting examples, on the thread conductor of one of the great mysteries of the most distant prehistory: the anxious image of Neanderthal man.

Il tempo perduto di neanderthal: preistoria e musei

ACCARDI A;
2010-01-01

Abstract

One of the most interesting problems of the "representations" of the prehistory in museums is constituted by the difficulty to make the images of the physical people. In some cases, the presence of contemporary artists has been useful to resolve the problem, in others the solution is submitted to the so-called “paleo-artists”, in others still it is the whole presentation that assumes, in its complex, evocative characters. This article examines some interesting examples, on the thread conductor of one of the great mysteries of the most distant prehistory: the anxious image of Neanderthal man.
2010
978-88-89683-15-6
Archaeological Musealization; Interiors and Exhibits; Prehistoric sites
File in questo prodotto:
Non ci sono file associati a questo prodotto.

I documenti in IRIS sono protetti da copyright e tutti i diritti sono riservati, salvo diversa indicazione.

Utilizza questo identificativo per citare o creare un link a questo documento: https://hdl.handle.net/20.500.12078/3080
 Attenzione

Attenzione! I dati visualizzati non sono stati sottoposti a validazione da parte dell'ateneo

Citazioni
  • ???jsp.display-item.citation.pmc??? ND
  • Scopus ND
  • ???jsp.display-item.citation.isi??? ND
social impact