La “communication” de l’art préhistorique: de la pratique didactique a la redécouverte de l’invisible

Prehistoric sites can become instruments for the recognition of the identity of a community in relation to its territory, or media of the linkage existing between visible and invisible factors intrinsic in them. Regarding the prehistoric discoveries, the greatest witness power is expressed by the primordial forms of Rock Art. Frequently, it is necessary to find solutions in which the technique is put to the service of prehistory, with the purpose to make it more accessible to the public. This accessibility is possible only through the creation of a museal pole. Inside his didactic laboratories, dedicated to the “Rock Art”, it’s possible to propose to the public a full immersion in the prehistory, finding again the native motions, techniques and symbolic values.